"Tales of the Macabre / The Black Fawn" by Jim Kjelgaard (Robert Bloch)

Tales of the Macabre / The Black Fawn by Jim Kjelgaard Vintage Lists, 2023    Introduction to Tales of the Macabre    Jim Kjelgaard was a regular contributor of short stories to pulp magazines in the late-1930s and throughout the 1940s. His first known published fictional tale, “River Man,” appeared in the November 5, 1938 issue of Argosy, and his byline regularly popped-up in diverse magazines like Street & Smith’s Western Story Magazine, Black Mask, 10 Story Western, The Phantom Detective, Thrilling Adventure, Argosy, Adventure, and others. It wasn’t unusual for 20 or more of Kjelgaard’s stories to reach print each year; his best annual output was in 1946, which saw an astonishing 36 of his tales hit newsstands across the country.      While the genre Kjelgaard was writing for changed—Western, romance, mystery, adventure—his stories were charmingly consistent and familiar to his regular readers. They often featured animals and thoughtful protagonists living in wild places. A genre Kjelgaard rarely visited was horror, but that changed when a tale of the supernatural, “The Thing from the Barrens,” appeared in the September 1945 issue of Weird Tales. This story, and the three others published by Weird Tales over the next ten months—“The Fangs of Tsan-Lo” (Nov. 1945), “Chanu” (Mar. 1946), and “The Man Who Told the Truth” (July 1946) —had Kjelgaard’s traditional hallmarks, but were also dependent on their supernatural elements: a stalking creature from the wastelands of the Arctic, an ancient dog, a sinister hybrid ape-man, and…      While the stories all appeared under Jim Kjelgaard’s name, a young Robert Bloch—the writer that gave us Psycho (1963)—revised the stories for publication. Both Bloch and Kjelgaard belonged to a writing group, the Milwaukee Fictioneers, which included the Western writer Lawrence A. Keating, the golden age science fiction writer, Ralph Milne Farley, and the cult-favorite science fiction writer Stanley G. Weinbaum. In Bloch’s 1994 autobiography, Once Around the Bloch, he mentioned his work with Kjelgaard and another of the group’s members: “I rewrote and sold stories which appeared under the bylines of Ralph Milne Farley and another member, Jim Kjelgaard.”      Robert Bloch was a supernatural horror specialist and his participation in the stories can be seen from the eerie descriptions— “I seemed to hear the rustle of leaves, to see snarling, man-beast faces” —but the concepts and plotting are in the classical vein of Jim Kjelgaard. Things changed a bit for the fourth tale, “The Man Who Told the Truth,” which is less Kjelgaard and more Robert Bloch. In fact, this story was included in Bloch’s posthumous collection, Flowers from the Moon and Other Lunacies (1998). These collaborations often appeared alongside stories under Bloch’s own name. “The Thing from the Barrens” appeared with Bloch’s “The Skull of the Marquis de Sade”; “The Fangs of Tsan-Lo” with “Soul Proprietor”; and “Chanu” with “Bogy Man Will Get You.”      For the first time in more than 70 years, Jim Kjelgaard’s first three tales of the macabre are back in print. And we’re betting you’ll enjoy them as much today as their original readers did so long ago.   Click here to purchase the Kindle edition or here for the paperback edition at Amazon.
Tales of the Macabre / The Black Fawn is part of Vintage Lists’ Jim Kjelgaard Collection, which includes seven “2-in-1” books, with two books in each volume, in both Kindle and high-quality trade paperback editions. The JIM KJELGAARD COLLECTION Double Challenge / Rescue Dog of the High Pass [Purchase at Amazon] The Duck-footed Hound / We Were There at the Oklahoma Land Run [Purchase at Amazon] Fire-Hunter / The Explorations of Père Marquette [Available only in Canada / Purchase at Amazon Canada] The Spell of the White Sturgeon / Dusky & Other Tales [Purchase at Amazon] Swamp Cat / The Story of Geronimo [Purchase at Amazon] Tales of the Macabre / The Black Fawn [Purchase at Amazon] Trading Jeff and His Dog / Hi Jolly! [Purchase at Amazon]

 

"Heretic: Stories" by Philip José Farmer

 

Heretic: Stories by Philip José Farmer 3 Play, 2024   Introduction   The critic Leslie Fiedler called Philip José Farmer “the greatest science fiction writer ever” and Isaac Asimov proclaimed him as “a far more skillful writer than I am.” Farmer is widely considered to have broken the genres’ taboo with sexuality. His first significant publication, the novella “The Lovers” (Startling Stories, Aug. 1961), used sexuality—specifically a sexual relationship between a human male and an extraterrestrial—as a central theme, which would have been a volatile topic in mid-century America. According to The Encyclopedia of Science Fiction, “[‘The Lovers’] concerned xenobiology, parasitism and sex, an explosive mixture, certainly for the SF genre of that era.” Farmer’s fiction was consistently critical of religion, too, which is where the title of this collection, Heretic, is derived. As a boy Farmer attended religious training in the Church of Christ, Scientist (Christian Science), but by 14 he had become an agnostic and later in life he described himself as an atheist. Farmer’s criticisms of religion, particularly how it segregates people by creating false differences, can be seen in much of his fiction, including the stories in this collection. He is best known for his Riverworld series—which features such luminaries as Richard Francis Burton and Mark Twain in a world where every person who has ever lived is resurrected into a world dominated by river valleys—and his World of Tiers series about parallel universes and the origins of humanity. Farmer’s science fiction won three Hugo Awards—Best New SF Author or Artist, 1953; Best Novella, 1968, for “Riders of the Purple Wage”; and Best Novel, 1972, for To Your Scattered Bodies Go. He was awarded the Damon Knight Memorial Grand Master Award from Science Fiction Writers of America and the World Fantasy Award for Life Achievement. Farmer’s birth name was Philip Josie Farmer. “Josie” was meant as an honor to his paternal grandmother, Josephine, but it he disliked it because of its feminine sound. As an adult Farmer legally changed his middle name to José, which he thought livened his rather bland and alliterative name: Philip Farmer. He was born in North Terre Haute, Indiana, on January 26, 1918, to George and Lucile Theodora Farmer (née Jackson). The Farmers moved frequently, at least six times, during the 1920s; living in Indiana, Missouri, and Illinois. In 1936, Farmer graduated from Peoria Central High School (Illinois) and enrolled at the University of Missouri, Columbia, where he studied journalism. He left school in 1937 to take a job with Illinois Power and Light—reportedly to help his father payoff a debt—and returned to school, Bradley Polytechnical Institute, in 1939 to study English literature. In 1941, he transferred back to the University of Missouri where his future wife, Elizabeth Virginia Andre, attended as a music student. He graduated with a B.A. in 1949 from Bradley in Peoria. Philip and Elizabeth were married on May 10, 1941. The couple had two children, a son and daughter. Farmer volunteered to become a pilot with the Army Air Corps in 1941, but he was discharged and took a job with the Keystone Steel & Wire Co. where he worked until becoming a fulltime writer in the early-1950s. During much of the 1950s and 1960s Farmer worked as a technical writer for defense contractors, including General Electric, Motorola, and McDonnell-Douglas. He became a fulltime fiction writer in 1969. Philip José Farmer died on February 25, 2009, in Peoria, Illinois. The three stories included in Heretic—a novelette and two shorts—are excellent examples of Farmer’s best work: thoughtful, critical of authority and religion, and downright fun to read. “The Celestial Blueprint” (Fantastic Journey, July 1954) is an entertaining and ironic journey into religious zealotry, distrust, and revenge. The central theme of “How Deep the Grooves” (Amazing Stories, February 1963) is free will and absolute predestination; a thinking person’s dilemma written as highspeed entertainment. The final story is the novelette, “Tongues of the Moon” (Amazing Stories, September 1961), which is a space opera-like adventure—hasty pacing, space blasters, and explosions—with a serious look at nationalism and religion.   The cover was designed by www.karadraws.com   Click here to purchase the Kindle edition and here to purchase the trade paperback.

Philip José Farmer’s Heretic: Stories is the first volume in Vintage Lists’ 3 PLAY series, which is a line of high-quality books featuring three stories—every so often a bonus tale appears to keep things interesting—from authors both old and new. Each entry features stories from a single author with an emphasis on story quality. The books are short, anywhere between 95 and 120 pages and each is designed for readers with a discerning eye and a love of genre fiction—crime, mystery, horror, and science fiction—at its very best.      Plus, and this is a big thing, the books are designed for easy reading—paperbacks have an easy-to-read font size—and affordability in both paperback and electronic editions.

Introducing 3 PLAY

 

Introducing 3 PLAY
Vintage Lists Presents: 3 PLAY is a line of high-quality books featuring three stories—every so often a bonus tale appears to keep things interesting—from authors both old and new. Each entry features stories from a single author with an emphasis on story quality. The books are short, anywhere between 95 and 120 pages and each is designed for readers with a discerning eye and a love of genre fiction—crime, mystery, horror, and science fiction—at its very best. Plus, and this is a big thing, the books are designed for easy reading—paperbacks have an easy-to-read font size—and affordability in both paperback and electronic editions. We hope you will come back again and again to enjoy our 3 PLAY line-up of vintage and contemporary short fiction. Visit us at www.vintagelists.blogspot.com for a complete listing of available titles.
HERETIC: STORIES by Philip José Farmer
The three stories included in Heretic—a novelette and two shorts—are excellent examples of Farmer’s best work: thoughtful, critical of authority and religion, and downright fun to read. “The Celestial Blueprint” (1954) is an entertaining and ironic journey into religious zealotry, distrust, and revenge. The central theme of “How Deep the Grooves” (1963), is free will and absolute predestination; a thinking person’s dilemma written as highspeed entertainment. The final story is the novelette, “Tongues of the Moon” (1961) which is a space opera-like adventure—hasty pacing, space blasters, and explosions—with a serious look at nationalism and religion. Click here for the Kindle edition and here for the trade paperback.
THE FITTEST & OTHER STORIES by Katherine MacLean
The four tales included in The Fittest & Other Stories are a sampling of MacLean’s best work. “The Fittest” is a marvelous telling of first contact, moral dilemmas, and the violent nature of humanity. “Where or When?” is a misty-eyed love story that will ring true for anyone that has ever loved. “Carnivore” is a disturbing view of humanity’s sectarian and violent nature without, unfortunately, much redemption. “Contagion”—which is one of MacLean’s most popular tales—is about colonization, fear, and loss of self. Available on Amazon as a Kindle and trade paperback.